The only chair of the series. Also produced with reclaimed materials from construction sites, the extruded polystyrene is now stacked and texturized through cuts for creating a structure, while left un-intervened for the sitting and backrest surfaces. Assembled with PUR glue and finished with putty, projected PUR and a water based protective lacquer. 2025. Comisioned: VASTO. Photography: Art Studies. Part of solo show at Cecilie Bahnsen during 3 days of Design 2025, Copenhagen.

A merge of both intervening and welcoming the reclaimed materials from construction sites as they come. The untouched panels of  extruded polystyrene of the backrest bury into the restored polystyrene of the base, also composed of wood scraps and foam cardboard. Concrete, putty, PUR glue, projected PUR and water based protective lacquer contribute to the sleek finish of this piece. 2025. Comisioned: VASTO. Photography: Art Studies. Part of solo show at Cecilie Bahnsen during 3 days of Design 2025, Copenhagen.

The only chair of the series. Also produced with reclaimed materials from construction sites, the extruded polystyrene is now stacked and texturized through cuts for creating a structure, while left un-intervened for the sitting and backrest surfaces. Assembled with PUR glue and finished with putty, projected PUR and a water based protective lacquer. 2025. Comisioned: VASTO. Photography: Art Studies. Part of solo show at Cecilie Bahnsen during 3 days of Design 2025, Copenhagen.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. 2025. Commission (VASTO , El despartamento x Hoff). Photography: Santino La Morte.

Collaging the thin offcuts in order to create an overlapping pattern. Builders’s daily small waste became the source material, fragments strictly selected for their unrefined visual qualities. The base is composed of the reclaimed materials from the construction sites: extruded PS panels, expanded PS , underfloor heating expanded PS panels, and wood scraps. PUR glue, putty, projected PUR, water based protective lacquer unify the layered assemblage. 2025. Comisioned: VASTO. Photography: Art Studies. Part of solo show at Cecilie Bahnsen during 3 days of Design 2025, Copenhagen.

An exploration of textures with reclaimed materials from construction sites: extruded PS panels, wood scraps, underfloor heating expanded PS panels, foam cardboard and a wood fibre insulation that creates a furry-like coating. Concrete, putty, PUR glue, projected PUR and a water based protective lacquer fuse the layers into a cohesive whole. 2025. Comisioned: VASTO. Photography: Art Studies. Part of solo show at Cecilie Bahnsen during 3 days of Design 2025, Copenhage.

Palmito (palm leaf), natural binder, cotton, collagen, calcium carbonate, ecological pigment, and eco-friendly varnish. The sculpture revisits two traditional Balearic craft techniques. It incorporates recovered broken llatra baskets—originally produced using the traditional palm weaving method—and reinterprets blanquejat, an Ibizan hardening process originally used to reinforce these fibers, here adapted to support their reuse. Part of “Porus” an exhibition commissioned by Aina Pomar at Studio Weil. 2024. Photography: Juan David Cortes.

A structured arrangement of the salvaged materials from construction sites: extruded PS panels, wood fibre insulation panels, wood scraps and pallet scraps come together as a base from which an insulation cork backrest emerges. Concrete, putty, PUR glue, projected PUR and a water based protective lacquer add a melted-like effect to it. 2025. Comisioned: VASTO. Photography: Art Studies. Part of solo show at Cecilie Bahnsen during 3 days of Design 2025, Copenhagen.

First piece in this series, crafted from reclaimed construction materials: extruded PS panels, wood fiber insulation, and timber scraps expose the raw anatomy of the sitting unit. Bound with PUR glue and sealed with a PUR projection, it’s finished with a water-based lacquer. 2025. Comisioned: VASTO. Photography: Art Studies. Part of solo show at Cecilie Bahnsen during 3 days of Design 2025, Copenhagen.

The continuation of an exploration begun with the only chair from the original series Also produced with reclaimed materials from construction sites, the extruded polystyrene is now stacked and texturized through cuts for creating a structure, while left un-intervened for the sitting and backrest surfaces. Assembled with PUR glue and finished with putty, projected PUR and a water based protective lacquer. 2025. Photography: Grimalt de Blanch/ Sergio Penas.

A puzzling composition of materials rescued from construction sites: extruded PS panels, cork insulation, wood scraps and underfloor heating expanded PS plaques. Wood fibre insulation panels were carved into a sitting surface. Concrete, putty, PUR glue, projected PUR and a water based protective lacquer bind the chaos. 2025. Comisioned: VASTO. Photography: Art Studies. Part of solo show at Cecilie Bahnsen during 3 days of Design 2025, Copenhagen.

Coiled esparto fiber, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Deformed handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment.The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. 2023. ​​Commission ( VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Plastic residues from in-studio recycling processes, including post-consumer domestic plastic waste, combined with cement, mineral aggregate, steel, aluminum, brass, polyester resin, calcium-based fillers, pigments, watercolor, and protective varnish. The piece involves a mix of techniques, integrating both structural and surface materials through manual assembly and layered treatments. 2022, Part of metro ochenta exhibition, Barcelona.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, acrilyc resin and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2022. Private commission.

Handmade composite composed of construction site waste—including rock wool insulation scraps, plasterboard fragments, aluminum profile offcuts, PVC remnants, and cement—combined with pigment, varnish, and resin. The material was developed in situ during the final weeks of the Casa Vasto renovation, using as its primary base the debris generated by the construction itself. The piece, a two-part table, is the result of a site-specific material experiment, in which the components and techniques employed reflect the immediate context of the building process. The outcome embodies a direct reuse of construction waste through manual composition and surface finishing. 2022. Commission ( VASTO , Mesura). Photography: Mesura.

Deformed handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. 2023. Commission ( VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Deformed handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. October, 2023. Commission ( VASTO , Mesura). Part of the solo show MMLM  (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Deformed handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. October, 2023. Commission ( VASTO , Mesura). Part of the solo show MMLM  (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Recovered wood sourced in Mallorca, dyed and treated using traditional dyeing techniques. Developed within the framework of the LOOP / ADR Balears project, the material reflects a low-impact approach rooted in local craft knowledge and resource recovery. 2024. PART OF “TOCAR FUSTA”. Photography: Grimalt de blanch.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. 2024. Commission (VASTO , Isern Serra). Photography: Salva Lopez.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, acrilyc resin and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2022. Private commission.

Recycled textiles sourced from discarded clothing and domestic household fabrics, starch-based stiffener, galvanized steel, and electrical components. The textiles are repurposed through the application of a natural stiffening agent, enabling structural manipulation and volume retention. Galvanized steel functions as a skeletal framework, holding the electrical components in place. The process is entirely manual and intentionally slow, standing in direct opposition to the rapid, extractive, and disposable logic of the fast fashion industry. 2024. Unique edition. Part of Collectible exhibition at VASTO.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2022 Private Comision.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2022. Private Commission.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and lacquer. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, watercolour, acrilyc resin and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021. Private commission.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2022. Private Comision.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2021

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and lacquer. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021 Private commission.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2021.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. October 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. October 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. October 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. September 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. September 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. Augus 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. September 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. August 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. Augus 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. Augus 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. August 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023. Commission (VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023. Commission ( VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Collaboration with Idoia Cuesta. Braided structure of wooden slats, woven in a hexagonal shape and covered with a simile of adobe based on lime, straw, aggregate and Pigments. 2024 Photography: Lorena Grandio. Part of “Colaboratio”, Madrid Design Festival.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, acrilyc resin and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2019. Private commission.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. Shredded plastic waste is compressed and shaped through carving and melting, using polyurethane as a binder and automotive paint as a coating—retaining the material’s raw imperfections. What began as an experiment evolved into a specialized process: these dense, irregular remnants, nearly unmachinable, demanded the development of adaptive fabrication techniques. 2019. Part of “Mujer Florero”, Matadero Madrid.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. Shredded plastic waste is compressed and shaped through carving and melting, using polyurethane as a binder and automotive paint as a coating—retaining the material’s raw imperfections. What began as an experiment evolved into a specialized process: these dense, irregular remnants, nearly unmachinable, demanded the development of adaptive fabrication techniques. 2019.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. Shredded plastic waste is compressed and shaped through carving and melting, using polyurethane as a binder and automotive paint as a coating—retaining the material’s raw imperfections. What began as an experiment evolved into a specialized process: these dense, irregular remnants, nearly unmachinable, demanded the development of adaptive fabrication techniques. 2019.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. Shredded plastic waste is compressed and shaped through carving and melting, using polyurethane as a binder and automotive paint as a coating—retaining the material’s raw imperfections. What began as an experiment evolved into a specialized process: these dense, irregular remnants, nearly unmachinable, demanded the development of adaptive fabrication techniques.2019. Part of Galicia, procesos e formas Porto Design Bienale 2023.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. The material combines shredded plastic remnants with polyurethane, compressed into solid forms. A paint layer unifies the surface while preserving texture. An initial experiment in plastic waste reuse. 2018. Photography : Nicolas Denolle. Part of Mujer Objeto, Matadero Madrid.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, acrilyc resin and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, polystyrene coating & car paint. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography : Geray Mena. Part of Errata, Mass Books, During New York Design Week.

Esparto grass, reeds, wood residues, , lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte / Julia Panades. Part of “Experimentos para una exposicion”, solo show in Taca.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, acrilyc resin and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2022. Private commission.

European oak offcuts, solid wood joinery. The table is constructed from reclaimed timber, with visible knots and grain variations preserved. Modular components connect using e15’s signature stool joinery system, ensuring structural stability. The wood is lightly oiled; no adhesives are used. 2015. Photography: Maxime Guyon. Collaboration with E15 x Salone del Mobile 2015.

Compressed recycled PUR foam sourced from industrial discards and minimal protective coatings. The material is reclaimed from post-production scraps sourced directly from a Swiss recycling facility, preserving the foam’s inherent textures and chromatic variations. Instead of conventional compression into filler, the process involves chopping and reassembling fragments into modular blocks—their irregular surfaces and porous structures left exposed to highlight the material’s history. A subtle coating is applied for durability without compromising tactile authenticity . The blocks interlock into adaptive configurations, from singular stools to expansive seating landscapes. Crucially, the system is designed for cyclical reuse: at end-of-life, the foam can be shredded and recast indefinitely, subverting the linear waste paradigm of traditional polyurethane applications. 2017. Photography: Simone Sandahl. Ecal Diploma Project.

Esparto & sisal fiber, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Made from hand-compressed recycled wood fibre insulation, combined with lime, aggregates, cork particles, steel, and inorganic pigments. The surface is carefully hand-polished and finished with an ecological varnish that protects while preserving the natural texture of the material. 2024. Commissioned (VIRATEC Cluster Galego de Solucions Ambientais e Economia Circular)

Deformed handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. February 2025. Commission (VASTO ,ADC atelier). Photography: Grimalt de Blanch

Deformed handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. February 2025. Commission ( VASTO ,ADC atelier). Photography: Grimalt de Blanch.

Recycled textiles sourced from discarded clothing and domestic household fabrics, starch-based stiffener, galvanized steel, and electrical components. The textiles are repurposed through the application of a natural stiffening agent, enabling structural manipulation and volume retention. Galvanized steel functions as a skeletal framework, holding the electrical components in place. The process is entirely manual and intentionally slow, standing in direct opposition to the rapid, extractive, and disposable logic of the fast fashion industry. 2024. Unique edition. Part of Collectible exibition at VASTO.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, pigment, and varnish. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Private Commission.

Recovered canvas and metal structures, along with electrical components. Designed for easy reproducibility within the infrastructure of the Deixalles Foundation. Developed as part of the LOOP Design and Circularity project, ADR Balears. 2024. Photography: José Taltavull y Xim Izquierdo. Set design: Julià Panadès.

Braided esparto fiber, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Sponge, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol. 

Esparto grass, wood residues, lime, gypsum, hardener, pigment, and sand. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Part of “Experimentos para una exposicion”, solo show in Taca. Photography: Santino La Morte. 

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and lacquer. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2023. Private commission.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, water-based resin, calcium-based fillers, inorganic pigments, and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: The Ode To.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: The Ode To.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: The Ode To.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography : The Ode To.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: The Ode To.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, water-based resin, calcium-based fillers, inorganic pigments, and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, acrylic resin, calcium-based fillers, inorganic pigments, and a surface varnish, enables its repurposing. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2022. Private commission.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021. Private commission.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, pigment, and varnish. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: Eliska Horcikova, Sara Regal.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, and sand. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and lacquer. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Private commission.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, water based resin, calcium-based fillers, inorganic pigments, and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021. Private commission.