Palmito (palm leaf), natural binder, cotton, collagen, calcium carbonate, ecological pigment, and eco-friendly varnish. The sculpture revisits two traditional Balearic craft techniques. It incorporates recovered broken llatra baskets—originally produced using the traditional palm weaving method—and reinterprets blanquejat, an Ibizan hardening process originally used to reinforce these fibers, here adapted to support their reuse. Part of “Porus” an exhibition commissioned by Aina Pomar at Studio Weil. 2024. Photography: Juan David Cortes.

Coiled esparto fiber, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Collaboration with Idoia Cuesta. Braided structure of wooden slats, woven in a hexagonal shape and covered with a simile of adobe based on lime, straw, aggregate and Pigments. 2024 Photography: Lorena Grandio. Part of “Colaboratio”, Madrid Design Festival.

Esparto grass, reeds, wood residues, , lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte / Julia Panades. Part of “Experimentos para una exposicion”, solo show in Taca.

Esparto & sisal fiber, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Braided esparto fiber, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Sponge, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol. 

Esparto grass, wood residues, lime, gypsum, hardener, pigment, and sand. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Part of “Experimentos para una exposicion”, solo show in Taca. Photography: Santino La Morte. 

Esparto grass, wood residues, lime, gypsum, hardener, pigment, and sand. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.