Polyethylene mesh, heat-molded and fire-sealed, combined with lacquered metallic bases. 2015. Photography: Christian Holweck, Sara Regal.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, water based resin, calcium-based fillers, inorganic pigments, and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021 Private commission.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, acrylic resin, calcium-based fillers, inorganic pigments, and a surface varnish, enables its repurposing. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2022 Private commission.

Palmito (palm leaf), natural binder, cotton, collagen, calcium carbonate, ecological pigment, and eco-friendly varnish. The sculpture revisits two traditional Balearic craft techniques. It incorporates recovered broken llatra baskets—originally produced using the traditional palm weaving method—and reinterprets blanquejat, an Ibizan hardening process originally used to reinforce these fibers, here adapted to support their reuse. 2024. Photography: Juan David Cortes. Part of “Porus” an exhibition comissioned by Aina Pomar at Studio Weil.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and lacquer. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Private commission.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and lacquer. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2023. Private commission.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, and sand. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium , pigment, and varnish. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: Eliska Horcikova, Sara Regal.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021. Private commission.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2023.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, water-based resin, calcium-based fillers, inorganic pigments, and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography : The ode to.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: The ode to.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: The ode to.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: The ode to.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and water based resin. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography: The ode to.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, water-based resin, calcium-based fillers, inorganic pigments, and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021.

Deformed handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. October, 2023. Commission ( VASTO, Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto gallery. Photography: Mesura, Cecilia Betz.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, and sand. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Esparto grass, wood residues, lime, gypsum, hardener, pigment, sand & metal mesh. All materials are leftovers from own production. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2024. Photography: Grimalt de Blanch, Carlota del Sol.

Sponge, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte.

Braided esparto fiber, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Recovered canvas and metal structures, along with electrical components. Designed for easy reproducibility within the infrastructure of the Deixalles Foundation. Developed as part of the LOOP Design and Circularity project, ADR Balears. 2024. Photography: José Taltavull y Xim Izquierdo. Set design: Julià Panadès.

Recycled textiles sourced from discarded clothing and domestic household fabrics, starch-based stiffener, galvanized steel, and electrical components. The textiles are repurposed through the application of a natural stiffening agent, enabling structural manipulation and volume retention. Galvanized steel functions as a skeletal framework, holding the electrical components in place. The process is entirely manual and intentionally slow, standing in direct opposition to the rapid, extractive, and disposable logic of the fast fashion industry. 2024. Unique edition. Part of Collectible exibition at VASTO.

Handmade composite based on recycled wood fiber insulation (sourced from local construction waste in Mallorca), lime, aggregate, cork particles, steel, and pigment. Layered color. Protected with eco-friendly varnish. 45x45x50 cm x2. Production date : 02/2025

Deformed handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. February 2025. Commission ( VASTO ,ADC atelier). Photography: Grimalt de Blanch.

Made from hand-compressed recycled wood fibre insulation, combined with lime, aggregates, cork particles, steel, and inorganic pigments. The surface is carefully hand-polished and finished with an ecological varnish that protects while preserving the natural texture of the material. 2024. Commissioned (VIRATEC Cluster Galego de Solucions Ambientais e Economia Circular).

Esparto & sisal fiber, lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte. Part of “Experimentos para una exposicion”, solo show in Taca.

Compressed recycled PUR foam sourced from industrial discards and minimal protective coatings. The material is reclaimed from post-production scraps sourced directly from a Swiss recycling facility, preserving the foam’s inherent textures and chromatic variations. Instead of conventional compression into filler, the process involves chopping and reassembling fragments into modular blocks—their irregular surfaces and porous structures left exposed to highlight the material’s history. A subtle coating is applied for durability without compromising tactile authenticity . The blocks interlock into adaptive configurations, from singular stools to expansive seating landscapes. Crucially, the system is designed for cyclical reuse: at end-of-life, the foam can be shredded and recast indefinitely, subverting the linear waste paradigm of traditional polyurethane applications. 2017. Photography: Simone Sandahl. Ecal Diploma Project.

European oak offcuts, solid wood joinery. The table is constructed from reclaimed timber, with visible knots and grain variations preserved. Modular components connect using e15’s signature stool joinery system, ensuring structural stability. The wood is lightly oiled; no adhesives are used. 2015. Photography: Maxime Guyon. Collaboration with E15 x Salone del Mobile 2015.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, acrilyc resin and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2022 Private commission.

Esparto grass, reeds, wood residues, , lime, gypsum, hardener, pigment, sand, metal & wood. This work is part of a series of formal experiments with natural fibers leftovers, exploring their structural and aesthetic potential through combinations with mineral-based binders and surface treatments. 2023. Photography: Santino La Morte / Julia Panades. Part of “Experimentos para una exposicion”, solo show in Taca.

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, polystyrene coating & car paint. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021. Photography : Geray Mena. Part of Errata, Mass Books, During New York Design Week.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, acrilyc resin and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2021.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. The material combines shredded plastic remnants with polyurethane, compressed into solid forms. A paint layer unifies the surface while preserving texture. An initial experiment in plastic waste reuse. 2018. Photography: Nicolas Denolle.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. Shredded plastic waste is compressed and shaped through carving and melting, using polyurethane as a binder and automotive paint as a coating—retaining the material’s raw imperfections. What began as an experiment evolved into a specialized process: these dense, irregular remnants, nearly unmachinable, demanded the development of adaptive fabrication techniques. 2019. Part of Galicia, procesos e formas Porto Design Bienale 2023.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. Shredded plastic waste is compressed and shaped through carving and melting, using polyurethane as a binder and automotive paint as a coating—retaining the material’s raw imperfections. What began as an experiment evolved into a specialized process: these dense, irregular remnants, nearly unmachinable, demanded the development of adaptive fabrication techniques. 2019.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. Shredded plastic waste is compressed and shaped through carving and melting, using polyurethane as a binder and automotive paint as a coating—retaining the material’s raw imperfections. What began as an experiment evolved into a specialized process: these dense, irregular remnants, nearly unmachinable, demanded the development of adaptive fabrication techniques. 2019. Part of “Mujer Florero”, Matadero Madrid.

Compressed recycled plastic waste from local factory, polyurethane coating, paint coating. Shredded plastic waste is compressed and shaped through carving and melting, using polyurethane as a binder and automotive paint as a coating—retaining the material’s raw imperfections. What began as an experiment evolved into a specialized process: these dense, irregular remnants, nearly unmachinable, demanded the development of adaptive fabrication techniques. 2019.

Recycled plastic residue from a second-cycle melting recycling technique, combined with mineral aggregates, concrete, sand, calcium-based fillers, inorganic pigments, acrilyc resin and a surface varnish. The base material is structured through a collage-based assembly, with additives applied in stratified layers to increase hardness and improve surface. 2019 Private commission.

Collaboration with Idoia Cuesta. Braided structure of wooden slats, woven in a hexagonal shape and covered with a simile of adobe based on lime, straw, aggregate and pigments. 2024. Photography: Lorena Grandio. Part of “Colaboratio”, Madrid Design Festival.

Recycled waste plastic ( sourced from local recycling factory), concrete, calcium, pigment & lacquer. 45 x 40 x 33 cm

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023. Commission ( VASTO , Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023.Commission (VASTO, Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023. Commission (VASTO, Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023. Commission (VASTO, Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. July 2023. Commission (VASTO, Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. August 2023. Commission (VASTO, Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. Augus 2023. Commission (VASTO, Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. Augus 2023. Commission (VASTO, Mesura).nPart of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Handmade composite based on recycled wood fiber insulation sourced from local construction sites in Mallorca, combined with lime, aggregate, cork particles, steel, and pigment. The material features layered coloration and is protected with an eco-friendly varnish. This series explores various techniques and finishes, focusing on the reuse of construction waste—primarily insulation materials. The techniques and materials combined are specific to each individual work, reflecting a tailored approach to material integration. Augus 2023 Commission (VASTO, Mesura). Part of the solo show MMLM (Mezcla Moldea Lija Mueve) at Vasto galery. Photography: Mesura, Cecilia Betz.

Amalgama producida de manera manual a base de aislante de fibra de corcho reciclado, aislante de fibra de madera reciclado (ambos proveniente de construcción local en Mallorca), cal, árido, partículas de corcho, acero y pigmento. Color moldeado en capas y texturizado con cal , árido y pigmento. Acabado protector en barniz ecológico. Dimensions: 141 x 59 x 47 cm Weight: 50 kg Production Date: August, 2023

Amalgama producida de manera manual a base de aislante de fibra de corcho reciclado, aislante de fibra de madera reciclado (ambos proveniente de construcción local en Mallorca), cal, árido, partículas de corcho, acero y pigmento. Moldeado manual monocolor. Superficie pulida a la cal .Acabado protector en barniz ecológico. Dimensions: 73 x 98 x 47 cm Weight: 20 kg Production Date: September, 2023

Amalgama producida de manera manual a base de aislante de fibra de madera reciclado (proveniente de construcción local en Mallorca), cal, árido, partículas de corcho, acero y pigmento. Moldeado manual monocolor. Superficie pulida con arido y cal .Acabado protector en barniz ecológico. Dimensions: 137.5 x 48 x 46.5 cm Weight: 41 kg Production Date: September, 2023

Amalgama producida de manera manual a base de aislante de fibra de madera reciclado (proveniente de construcción local en Mallorca), cal, árido, partículas de corcho, acero y pigmento. Moldeado manual monocolor. Superficie pulida con arido y cal .Acabado protector en barniz ecológico. Dimensions: 74 x 48 x 47 cm. 18.5 kg Production Date: September,

Amalgama producida de manera manual a base de aislante de fibra de madera reciclado (proveniente de construcción local en Mallorca), cal, árido, partículas de corcho, acero y pigmento. Moldeado manual monocolor. Superficie pulida y revocada con arido, pigmento y cal .Acabado protector en barniz ecológico. Dimensions: 40 x 41 x 47 cm. 13.2 kg Production Date: October, 2023

Amalgama producida de manera manual a base de aislante de fibra de madera reciclado (proveniente de construcción local en Mallorca), cal, árido, partículas de corcho, acero y pigmento. Color moldeado en capas. Acabado protector en barniz ecológico. Dimensions: 73 x 45 x 49 cm Weight: 30 kg Production Date: October, 2023

Amalgama producida de manera manual a base de aislante de fibra de madera reciclado (proveniente de construcción local en Mallorca), cal, árido, partículas de corcho, acero y pigmento. Monocolor amasado en aguas, pulido con árido y pigmento. Acabado protector en barniz ecológico. Dimensions: 73 x 45 x 47 cm Weight: 20,.4 kg Production Date: October, 2023

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and lacquer. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021 Private commission.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2022 Private Comision.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2021.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2021.

Plastic residues resulting from in-house recycling processes—primarily byproducts of processing industrial waste plastic—combined with concrete, pigments, varnish, and brass. The materials are processed into a malleable clay-like mass using hardening agents. This composite is shaped manually through a modeling technique similar to working with plasticine, allowing for direct, tactile formation of each piece. 2022 Private Commission.

Esparto, aluminio, cemento, pigmento & resina acrilica. 2023

Recycled plastic residue from a second-cycle melting recycling technique, cement, calcium, sprayed polystyrene, pigment, and lacquer. The recycled material is hand-sculpted and reinforced through successive layers of applied compounds, resulting in a solidified sculpture. 2021.

19x18x50 cm / 3 kg Residuos provenientes de residuos de fabrica de reciclaje plástica, árido, cemento , pigmento, latón y barniz.